Fig. 5: The Poet Calculates the Potential of
Other Instruments
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What is corrosive is a purely
circular viewpoint, round like a head or a cake. The mountain we can see is
made of stones, we guess – wrongly. There are no secrets in an equality.
Everything we see is made equally of light. Only the dead, all the dead, who
choose not to heal, are stone and they break. Add to their brittle rigidity the
triple male gaze – fetches ready for nothing. Grind them & whisk them,
again and again.
The dead are a fuzzy comedy, a
joke we tell, entropic patterns we project against our own darkness. How can
they equal what we could do? Freewheeling like birds, we do that too, all
available energy poised ready for reception.[1]
Sail on above us, you pioneers, & gather the light we shall live by. We
must run through then the whole gamut or armature of our potential, from weak
poets sealed up within industrial grade polythene sheeting (let them inexorably
rot down together!) to a last resistant, innocent of power but always ready to
call it out & shoot it. Inextinguishable once reborn.
[1]
(You can’t see this properly, but we all do possess a distributed focus linear
receiver and a hemispherical concentrator, with an exquisite counterbalance
both for security and for winter.)
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