Friday, 21 February 2014

47. Spilt Milk



and was that book also for me a dead end
bouncing amongst the angled moving traffic?


back at the cafe
language carries on
courageously against
music, machines
spilt milk at last
to share


coming & going
uncertain as mice


What is desired, for God’s sake?
What is to be made of your silence?
What is worth being made memorable, and how do you get it?


Chi fa falla, e chi non fa sfarfalla


the sense of a common movement hangs in the air
to be caught by our voices together
– a privilege, of course


“The very taking of chance inserts us into time – into the present. To take a chance is to enter the moment in relation to it – it is, as musicians would say, a matter of getting in time, a matter of being with it.”
Hejinian, pp 374-5


drenching & grey
the hidden within
rises up
    dangerous ridicule
     spilt


OK then but
do you want to be the poet
    or the poem?


“I can only say here that a poem is never ‘THE’ poem
but only a small fragment
    of an infinite calculation”
edited Neil Pattison, Reitha Pattison & Luke Roberts, Certain Prose of the English Intelligencer (Mountain, 2012) p 118 (“Extracts from Letters Received”, letter from David Chaloner dated 1 May, 1967 – The English Intelligencer, p 335)

1 comment:

  1. para 4: from edited Neil Pattison, Reitha Pattison & Luke Roberts, Certain Prose of the English Intelligencer (Mountain, 2012): Jeremy Prynne, “A Letter” dated 27th December 1966, p 29 (The English Intelligencer p 190); Andrew Crozier, “Editorial”, p 47 (The English Intelligencer p 233); “Correspondence: Peter Riley to A. Crozier and J. James, J. H. Prynne to Peter Riley”, letter by Peter Riley dated 25th Feb. 1967, p 74 (The English Intelligencer p 255).
    para 5: Italian proverb.

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