Showing posts with label script. Show all posts
Showing posts with label script. Show all posts

Wednesday, 16 April 2014

100+1. Every Day, the Last Day, Whilst Gently Bouncing Here


“OK, so here we are. No escape from this feast. Nor its feet. This is,  . . .  uhhh  . . . , hopeful, yeah, hopeful; and only faintly garbled. There will be worse. You will wait for this and it will come. First play, then a wait. But to be fair, well, to be fair  . . .  is  . . .  like  . . .  just more or less how things are on a good day, at least for some one, if not for me. So it’s for you. And you. And you. Each fucking one. I haven’t time. Haven’t bloody time—“

 
“Oh the sun’s good, is it? Suddenly value suffuses this whole lot of things & they all turn golden and glad. O cock of ages, crow for me now!  I don’t think so. It’s actually all grey, the cold & mist thick, like vomit or coughed up phlegm. Bits of everything, have just dropped off. The only thing that’s clear’s the waste of being, hanging on into a fuzzy midwinter. The circles are small now. Minimal oscillation – not possible.”

 
“Look, listen, whatever – this isn’t the end of the world, it’s the ending of the poem. Not answers – silence. The people who come after this – they’ll have their own problems & their own solutions. What we’ve got, just vestigial, ruinous, vermiform. They’re singing – can’t you know this? - & we’re, well, we’re just doing what we’re doing. Droning on and on.”


“Turn it off. Turn it off. Turn it off. No, of course you can’t. That’s not muzak, that’s consciousness. Just more unstable. Is it natural, I hear you ask (I am good at auditory delusion)? No, just obtruding. ‘These fuckers think, & think they’re different. They are.’ That’s why the whole thing is grinding down. Not springing. Falling; into here. End it, end it at once. ‘But your fall is endless.’ See you next year. Leave it all.”

 
“Still too much coffee. Not enough fragmentation. Things are only just beginning to sparkle. I guess it’s Xmas come again. Time to play, this time to pay, time to pee, time to be. No? Be what? Hunhh, like some fucking aphorism? A for ism! – No!”

 
“I’m glad you asked about the revolution – yes, I can hear you quite clearly, thank you. The cold air is good for that. Where’s it to, now, 9.16 on the morning of December 13th, 2012, a Thursday in Bishops Stortford? And what’s with the poets? How will their entry be made? What is to be done, the man said. Ohhhh. There’s lots of things, most of them bad, self-delusions, utopian hopes, the stern pleasures of socialist rigour, all that lousy in‑group stuff. It isn’t good; it doesn’t stop – that’s actually the point – it turns over & around, milling & churning. The death throes of the old order are the death throes of the new order. There isn’t control,[1] there isn’t an end or closure or goal. Fuck you, Hegel; fuck you, Marx. It isn’t so. Nonethebloodyless – Keep thinking, revolving, resolving, resolute & together, is a choice (that helps).[2]All people that on earth do dwell.’ Yes.[3]


“Another six hours. It’s never tomorrow. Can you remember any? It’s never justice, either. Can’t be undone. And who isn’t guilty? Who doesn’t, sometimes, resemble oneself?      [PAUSE]     I don’t know, though some people claim to, to not to. Perhaps it hasn’t even started yet. ‘I’m not even going there.’ I don’t know where I’m going, that’s all I’m saying. Whoever, whenever, where . . . ever.[4]


“Oh, children, yes, I think, it was, children, yes, family no. And you should let them sleep. It isn’t their ending, and they will wake up (unlike us). Clear & still; communal & involved; beyond this. At rest for now. They’ll examine the bloody, gristly mess we make, sometime, that is, in their own time, not ours.”


“This feels like another poem, don’t you think? Let’s shake it & see —     [PINK POWDER FLIES AROUND]     — that’s what it is? The mutuality and mystery of language in all its expressive divinity just some sweet, not very luscious, powder? Disappointing. Time to wake & wash, though, to sweep it up. Yes, toys are useful here      [SWEEPS UP WITH TOY DUSTPAN & BRUSH]      What I’ve promised myself once I’ve finished with all this, is bouncing on the bed, with bears again at last. Oh, at last. And no backswash.”




[1] Not like the circling airliners above as this is written.
[2] Or just put on your jacket, or even Sean Bonney’s, stride out & do it. Good advice in that imitating action, leads to action acting – it’s somehow reflected in that word. Be Sean Bonney or whoever, Allen Fisher, Denise Riley, Simon Howard, Mark Hyett, Lyn Hejinian, Odd Réal Constant, whatever. Being, doing, writhing, writing like that, like this.
[3] I know, Bourgeois music, Calvinist even, let alone the rest. That’s the point, though, about good collective action – it is actually affirmative regardless, if you sing it well enough. Silence sure won’t help anyone.
[4] No, no relief, no poetry, no voice.

Thursday, 10 April 2014

95. Some Verbal Events Within These Borderlands



A: This isn’t where we were
only someplace crowded in
w/ casual talk & life support machines.
It’s a space opened out of emptiness.
We must hold together in its rawness
tell eachother stories. No one else
can hear them.

Z: Everyone you know
is lost somewhere.

A: Well, OK of course, what do
you expect then? Still
searching explanation & origins
in silence, in shredded paper
long-derelict internet sites in
capable of being parsed? Nothing
here but murmuring of riots and burning
in the next valley.

Z: I can taste
the silence here
& its memory
the act of that
like an injunction
a sudden nerve-poison
stripping out appearance
all that shiny film
nothing doing here.

A: Let it lie. Don’t expect.
Play, labour, resist then nurture.
No more lies than any other.
How can this be explained?
This wound in the language
is the borderlands – a part
of somewhere else apart; these tics
grimacing into our full utterance
always to let histories
cut up as those of Macedonia
verbal events ripping along the surface of the seen
always in another valley here.

Z: Isn’t this beyond
this too the rage
of a child put down
too soon to sleep?

A: Time though still for one
last meal together here.
I just don’t know though
in what valley now & next.

Friday, 4 April 2014

89. Beware the Cave: An Opera



THE SCENE:
The cave is on a sea coast, facing West. It is within a grove of trees. A stairway descends the steep wooded slope – the trees look like maple & oak, fairly young & straight. At the base of the cliff is a rocky shelf, which leads at once onto a shingle beach, that continues under cliffs to a small, primitive classical temple and another wood, beneath rocky crags. The sea is glaucous and quite troubled.

What is strange is that the stairway extends beyond the wooded cliff, up above the clouds to where the sun is being laid to rest. This opens up the landscape into a scene of total allegory, a locus for extraordinary transformations and voyages. Whatever you want. However you want to read it.

The light is very muted & silvery, quite fishy, though with ruddy-to-pink shadowings & shadings. Any people, actual people, are dressed, though, in scarlet.

THE TWO GREEN BEARS:
It really is not good
for children to be here – oh you
are mistaken to be here – best
for little ones to go, to go, to go

THE FRIENDLY RED LION:
It is a fine day to be alive!
Let me help you with stories for
once you have told them you can die

THE LITTLE ELF:
Thrrllp snyy fwrr
Fwrr thrr thrr ghrh
Szhszh szhszh hnrr

THE BOY TO THE GIRL:
NOTICE





SAINT THOMAS, CALLED DIDYMUS:
I must believe or I shall die!
My only hope is Our Lady’s Girdle!
Upon its green string I shall hang myself
To prove its real existence & thus
Live for ever.

THE BOROUGH ORGANIST:
Grind on for ever
despite your cancer &
your cough! Grind
& blur. Your stone
will be your marker

THE POET:
Please, ma’am, I am a bachelor
but I do hope to study further poetics
& deep theory. I have
a portfolio of workshop poems
that I believe will enable me
to live for ever as a work of art
Fund me! Fund me!

THE HORSE OF ṢALĀḤAD-DĪN YŪSU IBN AYYŪB
[makes threatening noise of hatred
for thus he spurns the poet
poor unbelieving wretch]

THE JOLLY JUGGLER:
Turn it upside down & float!
Don’t hear a word they say but
concentrate on the deadness in their eyes!
Spring sideways! Leave it &
don’t believe their gift
– it is a Thulian Ice World Cosmogony
absolute accretion of dark matter
unacceptable to any life!

THE LITTLE FAIRY IN A RED DRESS:
How I love all this world of tutus & of muumuus!
How delicate & complex like the folds of our flesh
the prime plasmic reticulum that grounds our being
rich & diverse as a woodland or any city
always on the border between brute matter & information

constantly adjusting each moment a universe
how I love it! I love it!

OLD SAWNEY:
[offstage from within the cave]      C H R I S
                                                                   G F
                                                                         0 7

Sunday, 23 March 2014

77. Without Marrying, There Is No Comedy



for Jo & Alex, m. 8/9/2012

K:   In human life, not ever something new
– our rituals & meals will continue on regardless

D:   It all seems so simple I think
– small scale things poking around in our messiness

K:   There are times, too, when nothing is to be said
– just start listening, you!

D:   This is as easy to accept as a polite police state
  then its edge cuts suddenly into view

K:   Life kicks in & you can’t duck its boots
– your writing may be shaky after this critique

D:   I know that & can count the bruises
– when you can’t manage that, call it a crisis

K:   So pathetic it’s funny, Offa said, didn’t she?
– avoid ridicule by sharing out your pie in common

D:   We only get a chance to share buttons here!
– milk, gravy, soup with toast, I’m not a fan of these

K:   Well, I can’t laugh, I feel utterly immaculate suddenly
– “dangerous” and “bitter” – these words drip off me like glamour

D:   Sleeping better, thank you. Power drops too. Where are we now in life?
– here, just here, then Saturday at Jo’s wedding
  How good it will be to celebrate together
  with all the family from across this world